UNDER THE MICROSCOPE
instrumental music; but there is no ear so hirsute or so hard, so pointed or so long, that its wearer will not feel himself qualified to pass sentence on the musical rank of any poet's verse, the relative range and value of his metrical power or skill. If one man says for instance that Shelley outsang all rivals while Byron could not properly sing at all, and another man in reply is good enough to inform him that what he meant to say and should have said was that Byron could not shriek in falsetto like Shelley and himself, the one betweenwhiles and the other at all times, what answer or appeal is possible? The decision must be left to each man's own sense of hearing, or to his estimate of the respective worth of the two opinions given. I have always thought it somewhat hasty on the part of Sir Hugh Evans to condemn as "affectations" that phrase of Pistol's—"He hears with ears;" to hear with ears is a gift by no means given to every man that wears them. Our own meanwhile are still plagued with the cackle of such judges on all points of art as those to whom Moliere addressed himself in vain—"qui blâment et louent tout à contre-sens, prennent par où ils peuvent les termes de l'art qu'ils attrapent, et ne manquent jamais de les estropier et de les mettre hors de place. Hé! morbleu! messieurs, taisezvous. Quand Dieu ne vous a pas donné la connaissance d'une chose, n'apprêtez point à rire à ceux qui vous entendent
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