UNDER THE MICROSCOPE
It is not my purpose in this little scientific excursion to remark further than may be necessary on the symptoms of a poetical sort which the skilful eye may discern in the immediate objects of examination. To play the critic of their idyllic or satirical verse is not an office to which my ambition can aspire. Nevertheless, in the process of research, it may be useful to take note of the casual secretions observable in a fine live specimen of the breed in which we are interested, as well as of its general properties; for thus we may be the better able to determine, if we find that worth while, its special and differential attributes. I have therefore given a first and last glance to the poetic excretions of the present subject. Even from such things as these there might be something to learn, if men would bring to a task so unpromising and uninviting the patient eye and humble spirit of investigation by experiment. Such investigation would secure them against the common critical fallacy of assuming that a poem must be good because written on a subject, and it may be written with an aim, not unworthy of a better man than the writer; that a bad poem, for instance, on the life of our own day and the sorrows of our own people can only be condemned by those who would equally condemn a good poem on the same subject; who would admit nothing as fit matter for artistic handling, which was not of a more remote and ideal kind than this: a theory
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