Page:Val d'Arno (Ruskin, 1890).djvu/164

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136
VAL D'ARNO.

Roughly, I say. Do you suppose I ought to have said carelessly? So far from it, that if one sharper line or more geometric curve had been given, it would have caught the eye too strongly, and drawn away the attention from the sculpture. But imagine the feeling with which a French master workman would first see these clumsy intersections of curves. It would be exactly the sensation with which a practical botanical draughtsman would look at a foliage background of Sir Joshua Reynolds.

But Sir Joshua's sketched leaves would indeed imply some unworkmanlike haste. We must not yet assume the Pisan master to have allowed himself in any such. His mouldings may be hastily cut, for they are, as I have just said, unnecessary to his structure, and disadvantageous to his decoration; but he is not likely to be careless about arrangements necessary for strength. His mouldings may be cut hastily, but do you think his, joints will be?

160. What subject of extended inquiry have we in this word, ranging from the cementless clefts between the couchant stones of the walls of the kings of Rome, whose iron rivets you had but the other day placed in your hands by