under the walls of the hôtel Omber, and prudently selected a new point of attack. In the course of his preliminary examinations of the walls, it hadn't escaped him that their brick-and-plaster construction was in bad repair; he had marked down several spots where the weather had eaten the outer coat of plaster completely away. At one of these, midway between the avenue and the junction of the side-streets, he hesitated.
As he had foreseen, the mortar that bound the bricks together was all dry and crumbling; it was no great task to work one of them loose, making a foothold from which he might grasp with a gloved hand the glass-toothed curbing, cast his ulster across this for further protection, and swing himself bodily atop the wall.
But there, momentarily, he paused in doubt and trembling. In that exposed and comfortless perch, the lifeless street on one hand, the black mystery of the neglected park on the other, he was seized and shaken by a sudden revulsion of feeling like a sickness of his very soul. Physical fear had nothing to do with this, for he was quite alone and unobserved; had it been otherwise faculties trained through a lifetime to such work as this and now keyed to concert pitch would not have failed to give warning of whatever danger his grosser senses might have overlooked.
Notwithstanding, he was afraid as though Fear's very self had laid hold of his soul by the heels and would not let it go until its vision of itself was absolute. He was afraid with a great fear such as he had never dreamed to know; who knew well the wincing of the flesh from risk of pain, the shuddering of the spirit in the shadow of death, and
