to his lodgings, had framed that note to entice him to this place to-night? In the latter event, who was conceivably responsible but Velasco, Dressier, O'Reilly—any one of these, or all three working in concert? The last-named had looked Lanyard squarely in the face without sign of recognition, back there in the lobby of the Knickerbocker, precisely as he should, if implicated in the conspiracies of the Boche; though it might easily have been Velasco or Dressier who had recognized the adventurer without his knowledge. …
The car stopped, a narrow-chested door slid open, a gush of hectic light coloured morbidly the faces of alighting passengers, a blare of syncopated noise singularly unmusical saluted the astonished ears of Lanyard and Cecelia Brooke. She met his gaze with a smiling moue and slightly lifted eyebrows.
"More than we bargained for?" he laughed. "But there is always something new in this America, I promise you. Au Printemps itself is new, at all events did not exist when I was last in New York."
Following her out, he paused beside the girl in a constricted space hedged about with tables, waiting for the maître d'hôtel to seat those who had been first to leave the elevator.
The room, of irregular conformation, held upward of two hundred guests and habitués seated at tables large and small and so closely set together that waiters with difficulty navigated narrow and tortuous channels of communication. In the middle, upon a small dancing floor, rudely octagonal in shape, made smaller by tables crowded round its edge to accommodate the crush, a
