divine than human, and it has ever been esteemed a wonderful work, since life itself could exhibit no other appearance.
The excellent productions of this divine artist had so greatly increased and extended his fame, that all men who delighted in the arts (nay, the whole city of Florence) were anxious that he should leave behind him some memorial of himself, and there was much discussion everywhere in respect to some great and important work to be executed by him, to the end that the commonwealth might have the glory, and the city the ornament, imparted by the genius, grace, and judgment of Leonardo, to all that he did. At that time the great Hall of the council had been constructed anew, the architecture being after designs by Giuliano di San Gullo, Simone Pollaiuoli, called Cronaca, Michelagnolo Buonarroti, and Baccio d’ Agnolo, as will be related in the proper place. The building having been completed with great rapidity, as was determined between the Gonfaloniere and the more distinguished citizens, it was then commanded by public decree that Leonardo should depict some fine work therein. The Raid hall was entrusted, accordingly, to that master by Piero Soderini, then Gonfaloniere of Justice, and he, very willing to undertake the work, commenced a cartoon in the hall of the Pope, an apartment so called, in Santa Maria Novella. Herein he represented the History of Niccolo Piccinino, Captain-General to the Duke Filippo of Milan, in which he depicted a troop of horsemen fighting around a standard, and struggling for the possession thereof; this painting was considered to be a most excellent one, evincing great mastery in the admirable qualities of the composition, as well as in the power with which the whole work is treated.[1] Among other peculiarities of this scene, it is to be remarked that not only are rage, disdain, and the desire for revenge apparent in the men, but in the horses also; two of these animals, with their fore-legs intertwined, are attacking each orther with their teeth, no less fiercely than do the cavaliers who are fighting for the standard. One of the combatants
- ↑ The cartoons prepared for this Hall of the Council, whether by Leonardo or Michael Angelo, after having served as a study to the most renowned artists of that period, were cut to pieces and dispersed, insomuch that there now remain only a few detached groups among the works of thQ older engravers.— Ed. Flor. 1832-8.
