for the nuns of Annalena,[1] and some of his works are also to be seen in Padua.[2] He sent two stories in small figures to Rome for Cardinal Barbo; they were admirably executed, and finished with extraordinary care. This master certainly displayed most wonderful grace in his works, blending his colours with the most perfect harmony, qualities for which he has ever been held in the highest esteem among artists, and for which he is extolled by modern masters with unlimited commendation; nay, there can be no doubt, that so long as his admirable labours can be preserved from the voracity of time, his name will be held in veneration by all coming ages. In Prato, near Florence, where Fra Filippo had some relations, he took up his abode for some months, and there executed various works for the whole surrounding district, in company with the Carmelite, Fra Diamante, who had been his companion in noviciate. Having then received a commission from the nuns of Santa Margherita, to paint a picture for the high altar of their church, he one day chanced to see the daughter of Francesco Buti, a citizen of Florence, who had been sent to the Convent, either as a novice or boarder. Fra Filippo, having given a glance at Lucrezia, for such was the name of the girl, who was exceedingly beautiful and graceful, so persuaded the nuns, that he prevailed on them to permit him to make a likeness of her, for the figure of the Virgin in the work he was executing for them.[3] The result of this was, that the painter fell violently in love with Lucrezia, and at length found means to influence her in such a manner, that he led her away from the nuns, and on a certain day, when she had gone forth to do honour to the Cintola[4] of our Lady, a venerated relic preserved at Prato and exhibited on that occasion, he bore her from their keeping. By this event the nuns were deeply disgraced, and the father of Lucrezia was
- ↑ The convent having been suppressed, this picture was supposed to be lost, but we have discovered it in the gallery of the Florentine Academy of the Fine Arts. It will be found under the No. 57 of the catalogue published in 1846.—Ed. Flor. 1849.
- ↑ The works executed in the Santo of Padua have been destroyed in the successive restorations of the Church.
- ↑ This picture is a Nativity of Christ, it was sent to Paris in 1812, and still remains there.
- ↑ The girdle, presented to St. Thomas by Our Lady herself, as saith the legend.
