traits from the life among the numerous figures which it comprises, with buildings, &c., in perspective, which are admirable; there are two Dogs under the table, moreover, which are so beautifully executed that they appear to be alive; and in the distance are certain figures of lame and halt, which are also excellently well done.
In the Hall of the Council of Ten in Venice, within an oval, which is larger than any of the others forming the divisions of the ceiling and occupies the centre thereof, as being the principal picture, is another work by Paulino; a figure of Jupiter driving forth the Vices, which is meant to signify that this supreme and absolute ruler expels evil, and also punishes wicked and vicious men.[1] The same artist painted the ceiling in the church of San Sebastiano, a work of extraordinary merit, as he did also the picture for the High Altar, with smaller pictures which surround and form the framework of the same. Paulino likewise painted the doors which close the organ, and all these are truly praiseworthy productions.[2]
In the hall of the grand council, Paulino executed a very large picture, the subject Frederick Barbarossa presenting himself to the Pope, with a large number of figures in varied habiliments and all of great beauty, insomuch that it does worthily represent the court of a Pontiff and an Emperor as well as the Venetian senate. There are many gentlemen and senators of the republic represented from the life in this picture, which is such, at a word, for grandeur, excellence of design, variety of attitude and beauty, that it is deservedly extolled by all who see it.[3]
After having completed this work Paulino executed the decorations of other chambers, used for the service of the above-named Council of Ten, painting the ceilings in oil with
- ↑ This picture is still in its place, but it is by an Angel, and not by Jupiter, that the Vices are driven forth.
- ↑ The Church of San Sebastiano may be considered a perfect gallery of Paolo’s works. The tomb of the master is also there, with his bust, by Matteo Carmero. — Venetian Edition of Vasari.
- ↑ Certain commentators enumerate the “Return of the Doge Contarini” after his victory o; r the Genoese, with “Venice received among the Gods,” in the ceiling of the Great Hall of the Council, among the works of Padio, but attribute “the Emperor Frederick Barbarossa ” to Federigo Zucchero.
