the work to conclusion. Vasari wrote to him accordingly as the Duke desired, adding, that of all which had to be done Vasari was to be the director, and would do everything with the utmost fidelity, taking care of every minutia, as of a work of his own. To this Michelagnolo replied by sending the plans for the work in a letter written by his own hand on the 28th of September, 1555.
“Messer Giorgio, my dear Friend,—About the Staircase whereof there has been so much said, believe that if I could remember how I had arranged it I should not require so many entreaties. There is a certain stair that comes into my thoughts like a dream; but I do not think it is exactly the one which I had planned at that time, seeing that it appears to be but a clumsy affair; I will describe it for you here nevertheless. I took a number of oval boxes, each about one palm deep, but not of equal length and breadth. The first and largest I placed on the pavement at such distance from the wall of the door as seemed to be required by the greater or lesser degree of steepness you may wish to give to the stair. Over this was placed another, smaller in all directions, and leaving sufficient room om that beneath for the foot to rest on in ascending, thus diminishing each step as it gradually retires towards the door; the uppermost step being exactly of the width required for the door itself. This part of the oval steps must have two wings, one right, the other left. The steps of the wings to rise by similar degrees, but not to be oval in form. The ascent by the middle flight, from the centre to the upper part, shall be for the Signore; the turn of the wings must be towards the wall.[1] But from the centre downwards to the pavement, they shall be kept at the distance of about three palms, in such sort that the basement of the vestibule shall not be infringed upon in any part. What I am writing is a thing to be laughed at, but I know well that you will find something suitable to your purpose.”[1]
- ↑ 1.0 1.1 Gaye, Carteggio, makes it doubtful whether Vasari finished these steps or not; and a Florentine commentator says, “Although Michael Angelo had left the steps, the balustrade, and many other parts of this work in a state of preparation, it is manifest that Vasari did not succeed in comprehendmg the master’s wish. He constructed a magnificent flight of steps without doubt, but not that intended by Michael Angelo. See Ruggieri, Studio d'Architettura civile; also Rossi, Libreria Medicea Laurenziana.
