assumed but never carefully proven. The African
rhythm, through the use of the drum as a leading
instrument, produced musical emphasis which we
call syncopation. Primitive music usually shows
rhythm and melody of the voice sung in unison.
But in Africa, part singing was developed long
before it appeared in Europe. The great difference between the music of Africa and the music of
Europe lies in rhythm; in Europe the music is
accented on the regular beats of the music while
in Africa the accents fall often on the unstressed
beats. It is this that coming down through the
Negro folk-song in America has produced what is
known as ragtime.
Mrs. Curtis Burlin shows that the folk-song of the African in America can be traced direct to Africa: “As a creator of beauty the black man is capable of contributing to the great art of the world.
“The Negro’s pronounced gift for music is today widely recognized. That gift, brought to America in slave-ships, was nurtured by that mother of woe, human slavery, till out of suffering and toil there sprang a music which speaks to the heart of mankind—the prayer-song of the American Negro. In Africa is rooted the parent stem of that out-flowering of Negro folk-song in other lands.
