American sculpture and design, by the occurrence of a black nation at Darien early in the 16th century, but more specifically by Columbus’ emphatic reference to Negro traders from Guinea, who trafficked in a gold alloy, guanin, of precisely the same composition and bearing the same name, as frequently referred to by early writers in Africa.”[1]
And thirdly, many of the productions of America which have hitherto been considered as indigenous and brought into use especially by the Indians, may easily have been African in origin, as for instance, tobacco, cotton, sweet potatoes and peanuts.
It is quite possible that many if not all of these came through the African Negro, being in some cases indigenous to Negro Africa and in other cases transmitted from the Arabs by the Negroes.
Tobacco particularly was known in Africa and is mentioned in early America continually in connection with the Negroes. All of these things were spread in America along the same routes starting with the mingling of Negroes and Indians in the West Indies and coming up through Florida and on to Canada. The Arawak Indians, who especially show the effects of contact with Negroes, and fugitive Negroes, together with Negroid Caribs, migrated northward and it was they who led
- ↑ Wiener, Vol. 3, p. 365.
