gave you a little that we hum-drum New Yorkers don't quite understand."
"If," Garth said, "anything develops, you'll have to send Nora away."
"If there's time," the inspector agreed.
He turned back to his papers, shaking his head.
It is, perhaps, as well, when one fears, that the march of routine brings new and destructive demands. It was only a few days afterwards that Garth and Nora were involved in events that drove their minds for the time from the threat, which they should never have quite lost sight of. Yet the Elmford murder didn't leave room in one's mind for much else.
On the afternoon before that tragedy Garth, leaving headquarters, made an unaccustomed purchase. Not long ago such affectation would have appealed to his sturdy, straightforward mind of a detective as trivial, possibly unmasculine. He reddened as he handed his ten cents to the shapeless Italian woman whose fingers about his coat lapel were confusingly deft. He had no illusions as to the source of this foppish prompting. The inspector had called him in and told him that Nora would welcome him at the flat for dinner that evening. The event appeared a milestone on the amorous path he sought to explore hand in hand with the girl. He realized his desired destination was not yet in view, but such progress required a deviation from the familiar—some peculiar concession to its significance. So he turned away from the cheap sidewalk stand, wearing,
