CHAPTER I
INTRODUCTION TO COURAGE
I
“'TISN'T life that matters! 'Tis the courage you bring to it” . . . this from old Frosted Moses in the warm corner by the door. There might have been an answer, but Dicky Tasset, the Town Idiot, filled in the pause with the tale that he was telling Mother Figgis. “And I ran—a mile or more with the stars dotted all over the ground for yer pickin', as yer might say . . .”
A little boy, Peter Westcott, heard what old Frosted Moses had said, and turned it over in his mind. He was twelve years old, was short and thick-necked, and just now looked very small because he was perched on so high a chair. It was one of the four ancient chairs that Sam Figgis always kept in the great kitchen behind the tap-room. He kept them there partly because they were so very old and partly because they fell in so pleasantly with the ancient colour and strength of the black smoky rafters. The four ancient chairs were carved up the legs with faces and arms and strange crawling animals and their backs were twisted into the oddest shapes and were uncomfortable to lean against, but Peter Westcott sat up very straight with his little legs dangling in front of him and his grey eyes all over the room at once. He could not see all of the room because there were depths that the darkness seized and filled, and the great fiery place, with its black-stained settle, was full of mysterious shadows. A huge fire was burning and leaping in the fastnesses of that stone cavity, and it was by the light of this alone that the room was illumined—and this had the effect as Peter noticed, of making certain people, like Mother Figgis and Jane Clewer, quite monstrous, and fantastic with their skirts and hair and their shadows on the wall. Before Frosted Moses had said that sentence about Courage, Peter had been taking the room in. Because he had been there verv often before he knew every
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