The model of the tomb of Kasim is the next object; it is covered with gold brocade, and a canopy is supported over it, the poles carried by men. The palkee of his bride, Sakeena Koobar, follows the tomb; and her chandol, a sort of palanquin.
Then follow trays of mehndi prev. p.], carried on the heads of men, with presents, &c., such as are usually sent during the marriage ceremony, with flowers of ubruk.
The charkh-charkhī wālās are numerous; the charkhī is composed of ebony or any hard wood, about the size of a cricket-ball, divided in halves. Each man has a pair; they are beaten in a particular manner on the flat surface, so as to produce the sound of horses galloping; and where some fifty or one hundred men are engaged in the performance the imitation is excellent.
The females during the battle were perishing of thirst; Abbas, the brother of Hussein, and his standard-bearer, made great efforts to procure water for them, in doing which the former was severely wounded.
Hence the bihishtī with his mashk; and, in remembrance of this event, sherbets are also distributed gratis, in red earthen cups, from temporary sheds; abdār khanas, as they call them by the road-side. The awnings of these sheds are reared on poles, and they are lighted by lamps made of ubruk, or of the skeleton leaves of the peepul-tree. The bihishtī bears the standard of Hussun and Hussein.
The camels carrying the tent equipage and luggage of Hussein represent the style of his march from Medina to Kraabaallah. Sometimes, in pictures, a small Taziya is drawn on the back of a camel, and the animal is represented as issuing from a rocky pass.
Bārkandāzz?] attend, and fire their matchlocks singly and at intervals during the march.
Great sums are expended in charity during this mourning festival, and food is always distributed by the richer Taziyadars during the ten days.
The procession is closed by several elephants, and men seated upon them distribute food and money to the poor.
Natives of all ranks, from the highest to the lowest, walk on
