resting on his right foot, which is placed over his left knee, and his right hand hanging over his right knee. I have two images of Buddha in bronze, which came from Ava, in which he is represented in this posture, sitting with his back against a plantain tree, the leaves of which spread out above his head, and adorn the image. These images were accompanied by several other figures apparently engaged in worship, wearing high conical caps; the hands of one figure are clasped in prayer; another holds in both hands, placed upon the knees, a plate containing four balls; and another, in the same attitude, holds in both hands something that has the appearance of a circular box. I have also various dragons and bells, formed of bronze, which also came from Ava. An umbrella, made of iron, and gilt, is fixed on the tops of the temples, round the border of which some persons suspend bells; the sound has a pleasing effect when they are put in motion by the wind. Bells of various size are sometimes hung near a temple; and images of lions, and monsters of various descriptions, facing the four quarters, or on each side the gateway, are attached to most temples. Umbrellas, and stone-vessels, in imitation of those used by Gout[)u]m[)u] or Buddha as a mendicant, are also placed near the places of worship. When Buddha was one month old, his nurses "caused him to be laid under a white umbrella upon an adorned pleasure-abounding bed." At the age of sixteen, Buddha practised the greatest austerities; the King, his father, became alarmed and dejected; and the destiny-foretelling Brahmans assured him, that unless he put the unfortunate horses to the unfortunate chariot, and carried his son out, and buried him in a square hole, that they perceived three evils might happen:—"One to the King's life, another to the white umbrella, another to the Queen." Buddha was carried forth; he manifested his divinity to the driver of the unfortunate horses in the unfortunate chariot, escaped from meditated death, and fixed himself as a religious mendicant in the forest, where he practised the greatest austerities. I have an illuminated painting of Mahadēo under a rock in a jungle, seated upon a tiger's skin, with his arms raised above his head in penance. A sage leading a white horse stands in front, in the act of worship, and by the side of the river is a
