head flows Gunga, in a heavy stream, to the ground. His moustache is brilliantly jet black, and his forehead adorned with the triple eye in the centre of a crescent. Below Mahadēo in the centre of the platform, is a small image of his son Ganesh, on whose right is the Nandi, the white bull couchant, and on his left, below Pārvatī, is a yellow tiger. Mahadēo is represented with four hands, one bearing the tri-forked flame, another a warlike weapon, a third a short rosary of beads, the fourth, the hand-drum, the form of which is like an hour-glass. His hands and feet are dyed with hinnā; his dress is yellow; a large snake is around his neck, and his body profusely adorned with jewels.
GANESH.
The history of Ganesh, the son of Mahadēo and Pārvatī, having been fully detailed in the Introduction, is here omitted. This god is the guardian to the entrance of the heaven of Shiv[)u]. Vishn[)u], in the form of Parashu-Rāma, wished to have an interview with Shiv[)u], which was denied him by Ganesh; upon which a battle ensued, and Parashu-Rāma tore out one of his tusks. No public festivals are held in honour of Ganesh in Bengal; many persons, however, choose him as their guardian deity. Stone images of Ganesh are worshipped daily in the temples by the side of the Ganges, at Benares, and at Allahabad.
KARTIKEYA.
The second son of Mahadēo and Pārvatī is the god of war, and commander of the celestial armies; he is represented as six-headed, six-armed, six-mothered, and sometimes riding a peacock.
An account of the three great gods of the Hindū triad having been given, I will add a short description of the three principal goddesses, Lachhmī, Saraswātī elsewh.], and Dūrga.
LACHHMĪ.
This goddess is the consort of Vishn[)u], and is esteemed by his followers as the mother of the world. When the sea was being agitated for the production of the immortal beverage, and the
