THREE SATĪS AND A MANDAP NEAR GHAZIPŪR.
Lugāoed close to a small and very pretty mandap or Hindū temple. I went up to see it; the Brahmān opened the door, and showed me his idols with much pleasure. They consisted of Seeta, Rām, and Lutchman, painted red, and decked with bits of gold and silver tinsel, and pieces of coloured cloth. Hūnoo-*mānnoomān] was displayed on the wall painted red, and decked also with red linen. The Brahmān gave me a ball of sweetmeat, which he said was the usual offering at the shrine. Two fine peepul-trees, which had been planted together, are on the high bank above the temple, and within their shade are three satīs, built of stone, of octagonal form, and surmounted by a dome: the point of the dome is ornamented with a kalsā formed like a crown with a hole in the centre, and on each of its points or horns, on certain days, a lighted lamp is placed. The cenotaph is hollow below; and there is a little arch, through which the relatives also on particular days place a small lamp, and offerings of flowers within the cavity of the little building, and in the same place the two sīr are deposited. The kalsās differ in form from those at Barrah; and the satīs are also of higher caste, being of stone and well built. If the moon rise in time, I will sketch the spot, but I am very much fatigued, and my head aches, not only from exposure to the sun, but from a blow I received upon it from the tracking rope this morning. The insects do not molest us now at night, with the exception of the musquitoes, which are very troublesome.
On the rising of the moon I went on shore to take the sketch, and was attracted by what appeared to be the figure of a man watching from under a tree on a high cliff. On going up to it I found a satī, which had fallen to ruin; the remains were whitewashed, and a large kalsā had been placed on the top, which being also whitewashed, at a distance produced the deception. See fig. 2, which is a sketch of this kalsā; the satī herself, partially wrapped in her sarī, is seated upon it; it is adorned with points, and made of mud. I brought the kalsā away with me; it will be replaced by the kumhār, or potter of the village, whose duty it is to restore all kalsās. On the other side
