without paying it a visit. The goats and sheep, glad to get a run after their confinement in the boat, are enjoying themselves on the bank; and a boy, with a basket full of snakes (cobra di capello), is trying to attract my attention. In the cool of the evening we went into the Fort, which is situated on the top of an abrupt rock, which rises from the river. The view, coming from Allahabad, is very striking; the ramparts running along the top of the rising ground, the broad open river below; the churchyard under the walls, on the banks of the Gunga, with its pretty tombs of Chunar stone rising in all sorts of pointed forms, gives one an idea of quiet, not generally the feeling that arises on the sight of a burial-place in India; the ground was open, and looked cheerful as the evening sun fell on the tombs; the hills, the village, the trees, all united in forming a scene of beauty. We entered the magazine, and visited the large black slab on which the deity of the Fort is said to be ever present, with the exception of from daybreak until the hour of 9 A.M., during which time he is at Benares. Tradition asserts that the Fort has never been taken by the English, but during the absence of their god Burtreenath. We walked round the ramparts, and enjoyed the view. The church, and the houses which stretch along the river-side for some distance, and the Fort itself, looked cheerful and healthy; which accounted for the number of old pensioners to be found at Chunar, who have their option as to their place of residence.
As you approach Benares, on the left bank of the river, stands the house of the Rājā of Benares, a good portly looking building. The appearance of the Holy City from the river is very curious, and particularly interesting. The steep cliff on which Benares is built is covered with Hindoo temples and ghāts of all sizes and descriptions; the first ghāt, built by Appa Sāhib, from Poona, I thought handsome; but every ghāt was eclipsed by the beauty of the one which is now being built by her Highness the Bāiza Bā'ī; the scale is so grand, so beautiful, so light, and it is on so regular a plan, it delighted me; it is the handsomest ghāt I have seen in India; unfinished as it is, it has cost her Highness fifteen lākh; to finish it will cost twenty lākh
