intimacy with his wife, and by an anonymous letter he had received that morning, which in the mean jocular way common to anonymous letters said that he saw badly through his spectacles, but that his wife's connection with Dólokhov was a secret to no one but himself. Pierre absolutely disbelieved both the princess' hints and the letter, but he feared now to look at Dólokhov, who was sitting opposite him. Every time he chanced to meet Dólokhov's handsome insolent eyes, Pierre felt something terrible and monstrous rising in his soul and turned quickly away. Involuntarily recalling his wife's past and her relations with Dólokhov, Pierre saw clearly that what was said in the letter might be true, or might at least seem to be true had it not referred to his wife. He involuntarily remembered how Dólokhov, who had fully recovered his former position after the campaign, had returned to Petersburg and come to him. Availing himself of his friendly relations with Pierre as a boon companion, Dólokhov had come straight to his house, and Pierre had put him up and lent him money. Pierre recalled how Hélène had smilingly expressed disapproval of Dólokhov's living at their house, and how cynically Dólokhov had praised his wife's beauty to him and from that time till they came to Moscow had not left them for a day.
“Yes, he is very handsome,” thought Pierre, “and I know him. It would be particularly pleasant to him to dishonor my name and ridicule me, just because I have exerted myself on his behalf, befriended him, and helped him. I know and understand what a spice that would add to the pleasure of deceiving me, if it really were true. Yes, if it were true, but I do not believe it. I have no right to, and can't, believe it.” He remembered the expression Dólokhov's face assumed in his moments of cruelty, as when tying the policeman to the bear and dropping them into the water, or when he challenged a man to a duel without any reason, or shot a post-boy's horse with a pistol. That expression was often on Dólokhov's face when looking at him. “Yes, he is a bully,” thought Pierre, “to kill a man means nothing to him. It must seem to him that everyone is afraid of him, and that must please him. He must think that I, too, am afraid of himand in fact I am afraid of him,” he thought, and again he felt something terrible and monstrous rising in his soul. Dólokhov, Denísov, and Rostóv were now sitting opposite Pierre and seemed very gay. Rostóv was talking merrily to his two friends, one of whom was a dashing hussar and the other a notorious duelist and rake, and every now and then he glanced ironically at Pierre, whose preoccupied, absent-minded, and massive figure was a very noticeable one at the dinner. Rostóv looked inimically at Pierre, first because Pierre appeared to his hussar eyes as a rich civilian, the husband of a beauty, and in a word—an old woman; and secondly because Pierre in his preoccupation and absent-mindedness had not recognized Rostóv and had not responded to his greeting. When the Emperor's health was drunk, Pierre, lost in thought, did not rise or lift his glass.
“What are you about?” shouted Rostóv, looking at him in an ecstacy of exasperation. “Don't you hear it's His Majesty the Emperor's health?”
Pierre sighed, rose submissively, emptied his glass, and, waiting till all were seated again, turned with his kindly smile to Rostóv.
“Why, I didn't recognize you!” he said. But Rostóv was otherwise engaged; he was shouting “Hurrah!”
“Why don't you renew the acquaintance?” said Dólokhov to Rostóv.
“Confound him, he's a fool!” said Rostóv.
“One should make up to the husbands of pretty women,” said Denísov.
Pierre did not catch what they were saying, but knew they were talking about him. He reddened and turned away.
“Well, now to the health of handsome women!” said Dólokhov, and with a serious expression, but with a smile lurking at the corners of his mouth, he turned with his glass to Pierre.
“Here's to the health of lovely women, Peterkin—and their lovers!” he added.
Pierre, with downcast eyes, drank out of his glass without looking at Dólokhov or answering him. The footman, who was distributing leaflets with Kutúzov's cantata, laid one before Pierre as one of the principal guests. He was just going to take it when Dólokhov, leaning across, snatched it from his hand and began reading it. Pierre looked at Dólokhov and his eyes dropped, the something terrible and monstrous that had tormented him all dinnertime rose and took possession of him. He leaned his whole massive body across the table.
“How dare you take it?” he shouted.
Hearing that cry and seeing to whom it was addressed, Nesvítski and the neighbor on his right quickly turned in alarm to Bezúkhov.
“Don't! Don't! What are you about?” whispered their frightened voices.
Dólokhov looked at Pierre with clear, mirth-
