Cedar Street circle, be sure you tone them down as your discretion will suggest. For yourself, you will know that I have always had an intense desire to see something of real French life. You are acquainted with my great sympathy with the French; with my natural tendency to enter into the French way of looking at life. I sympathise with the artistic temperament; I remember you used sometimes to hint to me that you thought my own temperament too artistic. I don't think that in Boston there is any real sympathy with the artistic temperament; we tend to make everything a matter of right and wrong. And in Boston one can't live—on ne peut pas vivre, as they say here. I don't mean one can't reside—for a great many people manage that; but one can't live, æsthetically—I may almost venture to say, sensuously. This is why I have always been so much drawn to the French, who are so æsthetic, so sensuous. I am so sorry that Théophile Gautier has passed away; I should have liked so much to go and see him, and tell him all that I owe him. He was living when I was here before; but, you know, at that time I was travelling with the Johnsons, who are not æsthetic,
