Wayland Smith (by which name we shall continue to distinguish the artist, though his real name was Lancelot Wayland) was extremely serviceable. He seemed, indeed, to have a pleasure in displaying the alertness with which he could baffle investigation, and amuse himself by putting the curiosity of tapsters and inn-keepers on a false scent. During the course of their brief journey, three different and inconsistent reports were circulated by him on their account--namely, first, that Tressilian was the Lord Deputy of Ireland, come over in disguise to take the Queen's pleasure concerning the great rebel Rory Oge MacCarthy MacMahon; secondly, that the said Tressilian was an agent of Monsieur, coming to urge his suit to the hand of Elizabeth; thirdly, that he was the Duke of Medina, come over, incognito, to adjust the quarrel betwixt Philip and that princess.
Tressilian was angry, and expostulated with the artist on the various inconveniences, and, in particular, the unnecessary degree of attention to which they were subjected by the figments he thus circulated; but he was pacified (for who could be proof against such an argument?) by Wayland's assuring him that a general importance was attached to his own (Tressilian's) striking presence, which rendered it necessary to give an extraordinary reason for the rapidity and secrecy of his journey.
At length they approached the metropolis, where, owing to the more general recourse of strangers, their appearance excited neither observation nor inquiry, and finally they entered London itself.
It was Tressilian's purpose to go down directly
