She was sorry for him, but not so sorry as she was for herself. For him she had a touch of indignation. To be so nice, so refined, while all the time he was "Snooks," to hide under a pretentious gentility of demeanour the badge sinister of his surname seemed a sort of treachery. To put it in the language of sentimental science she felt he had "led her on."
There were, of course, moments of terrible vacillation, a period even when something almost like passion bid her throw refinement to the winds. And there was something in her, an unexpurgated vestige of vulgarity that made a strenuous attempt at proving that Snooks was not so very bad a name after all. Any hovering hesitation flew before Fanny's manner, when Fanny came with an air of catastrophe to tell that she also knew the horror. Fanny's voice fell to a whisper when she said Snooks. Miss Winchelsea would not give him any answer when at last, in the Borghese, she could have a minute with him; but she promised him a note.
She handed him that note in the little book of poetry he had lent her, the little book that had first drawn them together. Her refusal was ambiguous, allusive. She could no more tell him why she rejected him than she could have told a cripple of his hump. He too must feel something of the unspeakable quality of his name. Indeed he had avoided a dozen chances of telling it, she now perceived. So she spoke of "obstacles she could not reveal"—"reasons why the thing he spoke of was impossible." She addressed the note with a shiver, "E.K. Snooks."
Things were worse than she had dreaded; he asked her to explain. How could she explain? Those last two days in Rome were dreadful. She was haunted