He stopped abruptly. "You won't think I'm mad?" he said.
"No," I answered; "you've been dreaming. Tell me your dream."
"I woke up, I say, because the girl had stopped fanning me. I was not surprised to find myself there or anything of that sort, you understand. I did not feel I had fallen into it suddenly. I simply took it up at that point. Whatever memory I had of this life, this nineteenth-century life, faded as I woke, vanished like a dream. I knew all about myself, knew that my name was no longer Cooper but Hedon, and all about my position in the world. I've forgotten a lot since I woke—there's a want of connection—but it was all quite clear and matter-of-fact then."
He hesitated again, gripping the window strap, putting his face forward, and looking up to me appealingly.
"This seems bosh to you?"
"No, no!" I cried. "Go on. Tell me what this loggia was like."
"It was not really a loggia—I don't know what to call it. It faced south. It was small. It was all in shadow except the semicircle above the balcony that showed the sky and sea and the corner where the girl stood. I was on a couch—it was a metal couch with light striped cushions—and the girl was leaning over the balcony with her back to me. The light of the sunrise fell on her ear and cheek. Her pretty white neck and the little curls that nestled there, and her white shoulder were in the sun, and all the grace of her body was in the cool blue shadow. She was dressed—how can I describe it? It was easy and flowing. And altogether there she stood, so that it came to me how
