I saw a sort of exultant resolve leap into them—delight. Then suddenly, with a scowl, he swept his sword back—so—and thrust."
He stopped abruptly.
I became aware of a change in the rhythm of the train. The brakes lifted their voices and the carriage jarred and jerked. This present world insisted upon itself, became clamorous. I saw through the steamy window huge electric lights glaring down from tall masts upon a fog, saw rows of stationary empty carriages passing by, and then a signal-box, hoisting its constellation of green and red into the murky London twilight, marched after them. I looked again at his drawn features.
"He ran me through the heart. It was with a sort of astonishment—no fear, no pain—but just amazement, that I felt it pierce me, felt the sword drive home into my body. It didn't hurt, you know. It didn't hurt at all."
The yellow platform lights came into the field of view, passing first rapidly, then slowly, and at last stopping with a jerk. Dim shapes of men passed to and fro without.
"Euston!" cried a voice.
"Do you mean——?"
"There was no pain, no sting or smart. Amazement and then darkness sweeping over everything. The hot, brutal face before me, the face of the man who had killed me, seemed to recede. It swept out of existence——"
"Euston!" clamoured the voices outside; "Euston!"
The carriage door opened, admitting a flood of sound, and a porter stood regarding us. The sounds of doors slamming, and the hoof-clatter of cab-horses, and
