enormous advantage over anyone but a preacher, in the show he can make of his heart's wares.
At last a day in that summer came when he met her alone, possibly by chance, in a quiet lane towards Horley. There were ample hedges on either side, rich with honeysuckle, vetch, and mullein.
They conversed intimately of his poetic ambitions, and then he read her those verses of his subsequently published in Hobson's Magazine: "Tenderly ever, since I have met thee." He had written these the day before; and though I think the sentiment is uncommonly trite, there is a redeeming note of sincerity about the lines not conspicuous in all Aubrey Vair's poetry.
He read rather well, and a swell of genuine emotion crept into his voice as he read, with one white hand thrown out to point the rhythm of the lines. "Ever, my sweet, for thee," he concluded, looking up into her face.
Before he looked up, he had been thinking chiefly of his poem and its effect. Straightway he forgot it. Her arms hung limply before her, and her hands were clasped together. Her eyes were very tender.
"Your verses go to the heart," she said softly.
Her mobile features were capable of wonderful shades of expression. He suddenly forgot his wife and his position as a minor poet as he looked at her. It is possible that his classical features may themselves have undergone a certain transfiguration. For one brief moment—and it was always to linger in his memory—destiny lifted him out of his vain little self to a nobler level of simplicity. The copy of
