man in that position'; that is, the position of the Marquise de Brinvilliers or the Marquis de Sade. Prima facie, it would be an advantage to the Marquis de Sade that he was a marquis. But it was certainly against Hamon that he was a millionaire. Wild Bill did not minimise him as a bankrupt or an adventurer; he insisted on the solidity and size of his fortune, he made mountains out of the 'Hamon millions,' as if they made the matter much worse; as indeed I think they do. But that is because I happen to share a certain political philosophy with Wild Bill and other wild buffaloes of the prairies. In other words, there is really present here a democratic instinct against the domination of wealth. It does not prevent wealth from dominating; but it does prevent the domination from being regarded with any affection or loyalty. Despite the man in the starry coat, the Americans have not really any illusions about the Upper Ten. McLean was appealing to an implicit public opinion when he pelted the Senator with his gold.
But something more is involved. I became conscious, as I have been conscious in reading the crime novels of America, that the millionaire was taken as a type and not an individual. This is the great difference; that America recognises rich crooks as a class. Any Englishman might recognise them as individuals. Any English romance may turn on a crime in high life; in which the baronet is found to have poisoned his wife, or the elusive burglar turns out to be the bishop. But the English are not always saying, either in romance or reality, 'What's to be done, if our food is being poisoned by all these baronets?' They do not murmur in indignation, 'If bishops will go on burgling
