less but enormous in the modern world, a shaft of light and a stroke of lightning. That comes from America and belongs to the world, as much as 'The Raven' or The Scarlet Letter or the novels of Henry James belong to the world. In fact, I can imagine Henry James originating it in the throes of self-expression, and bringing out a word like 'highbrowed,' with a sort of gentle jerk, at the end of searching sentences which groped sensitively until they found the phrase. But most of the American slang that is borrowed seems to be borrowed for no particular reason. It either has no point or the point is lost by translation into another context and culture. It is either something which does not need any grotesque and exaggerative description, or of which there already exists a grotesque and exaggerative description more native to our tongue and soil. For instance, I cannot see that the strong and simple expression 'Now it is for you to pull the police magistrate's nose' is in any way strengthened by saying, 'Now it is up to you to pull the police magistrate's nose.' When Tennyson says of the men of the Light Brigade 'Theirs but to do and die,' the expression seems to me perfectly lucid. 'Up to them to do and die' would alter the metre without especially clarifying the meaning. This is an example of ordinary language being quite adequate; but there is a further difficulty that even wild slang comes to sound like ordinary language. Very often the English have already as humorous and fanciful idiom of their own, only that through habit it has lost its humour. When Keats wrote the line, 'What pipes and timbrels, what wild ecstasy!' I am willing to believe that the American humorist would have expressed the same
