courage, a democratic derision of rich men in high places, that is not easy in our smaller and more stratified society. On the other hand the Englishman has certainly more liberty, if less equality and fraternity. But the richest compensation of the Englishman is not even in the word 'liberty,' but rather in the word 'poetry.' That humour of escape or seclusion, that genial isolation, that healing of wounded friendship by what Christian Science would call absent treatment, that is the best atmosphere of all for the creation of great poetry; and out of that came 'bare ruined choirs where late the sweet birds sang' and 'Thou wast not made for death, immortal bird.' In this sense it is indeed true that poetry is emotion remembered in tranquillity; which may be extended to mean affection remembered in loneliness. There is in it a spirit not only of detachment but even of distance; a spirit which does desire, as in the old English rhyme, to be not only over the hills but also far away. In other words, in so far as it is true that the Englishman is an exception to the great truth of Aristotle, it is because he is not so near to Aristotle as he is to Homer. In so far as he is not by nature a political animal, it is because he is a poetical animal. We see it in his relations to the other animals; his quaint and almost illogical love of dogs and horses and dependants whose political rights cannot possibly be defined in logic. Many forms of hunting or fishing are but an excuse for the same thing which the shameless literary man does without any excuse. Sport is speechless poetry. It would be easy for a foreigner, by taking a few liberties with the facts, to make a satire about the sort of silent Shelley who decides ultimately to shoot the skylark. It would be easy to
