that the man to be entrapped walked into his own house after all, in spite of it being differently painted and numbered, simply because he was absent-minded and used to taking a certain number of mechanical steps. This would not work in the hotel; because a lift has no habits. It is typical of the real tameness of machinery, that even when we talk of a man turning mechanically we only talk metaphorically; for it is something that a mechanism cannot do. But I think there is only one real objection to my story of Mr. Moose in the New York hotel. And that is unfortunately a rather fatal one. It is that far away in the remote desolation of Yellow Dog, among those outlying and outlandish rocks that almost seem to rise beyond the sunset, there is undoubtedly an hotel of exactly the same sort, with all its floors exactly the same.
Anyhow the general plan of the American hotel is commonly the same, and, as I have said, it is a very sound one so far as it goes. When I first went into one of the big New York hotels, the first impression was certainly its bigness. It was called the Biltmore; and I wondered how many national humorists had made the obvious comment of wishing they had built less. But it was not merely the Babylonian size and scale of such things, it was the way in which they are used. They are used almost as public streets, or rather as public squares. My first impression was that I was in some sort of high street or market-place during a carnival or a revolution. True, the people looked rather rich for a revolution and rather grave for a carnival; but they were congested in great crowds that moved slowly like people passing through an overcrowded railway station. Even in the dizzy heights of such a sky-scraper there could not possibly be room
