copying and recopying, till nobody could bear the sight of it. At one time Clover counted eighteen girls all at work on the same bead and canvas pincushion. Later there was a short period of decalcomanie; and then came the grand album craze, when thirty-three girls out of the thirty-nine sent for blank books bound in red morocco, and began to collect signatures and sentiments. Here, also, there was a tendency toward repetition.
Sally Austin added to her autograph these lines of her own composition:—
When on this page your beauteous eyes you bend,
Let it remind you of your absent friend.
The girls found this sentiment charming, at least a dozen borrowed it, and in half the albums in the school you might read,—
"When on this page your beauteous eyes," &c.
Esther Dearborn wrote in Clover's book: "The better part of Valor is Discretion." Why she wrote it, nobody knew, or why it was more applicable to Clover than to any one else; but the senti-
