represented scenes from the life of Christ, and though somewhat stiff and wooden, showed clearly the immense strides that educational art has taken during the past few years.
At one end of the room was a platform running along its length. Some palms and tree-ferns in pots, chairs, a grand piano, and some music stands, promised a concert when tea should be over.
All the ladies of the parish were acting as attendants, or presiding at the urns on each table. There could be no doubt that the people were in a state of high good humour and enjoyment. Every now and again a great roar of laughter would break through the prevailing hum from one table or another. Despite the almost stifling heat and a mixed odour of humanity and ham, which a sensitive person might have shrunk from, the rough, merry Lancashire folk were happy as may be.
Basil Gortre, in his long, black coat, his skin somewhat pale from his long illness, walked from table to table, spending a few minutes at each. His face was wreathed in perpetual smiles, and roars of laughter followed each sally of his wit, a homely cut-and-thrust style of humour adapted to his audience. The fat mothers of families, wives of prosperous colliers and artisans, with their thick gold earrings and magenta frocks, beamed motherhood and kindliness at him. The Sunday-school teachers giggled and blushed with pleasure when he spoke.
The vicar, smiling paternally as was his wont, walked up and down the gangways also, toying with the pince-nez at his breast, and very successfully concealing the fact from every one that he was by no means in the seventh heaven of happiness. Tea-parties, so numerous and popular in the North, were always somewhat of a trial to him.
