Page:White - The natural history of Selborne, and the naturalist's calendar, 1879.djvu/260

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
238
NATURAL HISTORY OF SELBORNE.

between two owls, reclaimed a sultan,[1] before delighting in conquest and devastation; but I would be thought only to mean that many of the winged tribes have various sounds and voices adapted to express their various passions, wants, and feelings; such as anger, fear, love, hatred, hunger, and the like. All species are not equally eloquent; some are copious and fluent as it were in their utterance, while others are confined to a few important sounds: no bird, like the fish kind, is quite mute, 1 though some are rather silent. The language of birds is very ancient, and, like other ancient modes of speech, very elliptical; little is said, but much is meant and understood.

The notes of the eagle-kind are shrill and piercing; and about the season of nidification much diversified, as I have been often assured by a curious observer of Nature, who long resided at Gibraltar, where eagles abound. The notes of our hawks much resemble those of the king of birds. Owls have very expressive notes; they hoot in a fine vocal sound, much resembling the vox humana, and reducible by a pitch-pipe to a musical key. This note seems to express complacency and rivalry among the males; they use also a quick call and a horrible scream; and can snore and hiss when they mean to menace. Ravens, besides their loud croak, can exert a deep and solemn note that makes the woods to echo; the amorous sound of a crow is strange and ridiculous; rooks, in the breeding season, attempt sometimes in the gaiety of their hearts to sing, but with no great success; the parrot-kind have many modulations of voice, as appears by their aptitude to learn human sounds; doves coo in an amorous and mournful manner, and are emblems of despairing lovers; the woodpecker sets up a sort of loud and hearty laugh; the fern-owl, or goat-sucker, from the dusk till day-break, serenades his mate with the clattering of castanets. All the tuneful passeres express their complacency by sweet modulations, and a variety of melody. The swallow, as has been observed in a former letter, by a shrill alarm bespeaks the attention of the other hirundines, and bids them be aware the hawk is at hand. Aquatic and gregarious birds, especially the nocturnal, that shift their quarters in the dark, are

  1. See Spectator, Vol. vii., No. 512.