Page:White - The natural history of Selborne, and the naturalist's calendar, 1879.djvu/282

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NATURAL HISTORY OF SELBORNE.

swim in that manner is very obvious; because, when the body is no longer balanced by the fins of the belly, the broad muscular back preponderates by its own gravity, and turns the belly upper-most, as lighter from its being a cavity, and because it contains the swimming-bladders, which contribute to render it buoyant. Some that delight in gold and silver fishes have adopted a notion that they need no aliment. True it is that they will subsist for a long time without any apparent food but what they can collect from pure water frequently changed; yet they must draw some support from animalcula, and other nourishment supplied by the water; because, though they seem to eat nothing, yet the consequences of eating often drop from them. That they are best pleased with such jejune diet may easily be confuted, since if you toss them crumbs they will seize them with great readiness, not to say greediness; however, bread should be given sparingly, lest, turning sour it corrupt the water. They will also feed on the water-plant called Lemna (ducks' meat), and also on small fry. 2

When they want to move a little, they gently protrude themselves with their Pinnæ pectorales; but it is with their strong muscular tails only that they and all fishes shoot along with such inconceivable rapidity. It has been said that the eyes of fishes are immoveable; but these apparently turn them forward or backward in their sockets as occasions require. They take little notice of a lighted candle, though applied close to their heads, but flounce and seem much frightened by a sudden stroke of the hand against the support whereon the bowl is hung; especially when they have been motionless, and are perhaps asleep. As fishes have no eyelids, it is not easy to discern when they are sleeping or not, because their eyes are always open.

Nothing can be more amusing than a glass bowl containing such fishes; the double refractions of the glass and water represent them, when moving, in a shifting and changeable variety of dimensions, shades, and colours; while the two mediums, assisted by the concavo-convex shape of the vessel, magnify and distort them vastly; not to mention that the introduction of another element and its inhabitants into our parlours engages the fancy in a very agreeable manner.