a house in the Quartier Latin—to an artist friend, who was engaged, at the moment of my entry, in combat with a little Jew. He hurled him with great good-will, and with considerable force, into some of his crockery, and then recommended me to go up the towers of Notre Dame. Half-an-hour later I stood on the parapet of the great west front, by the side of the leering fiend which for centuries has looked down upon the great city, and then took rail to Switzerland; saw the sunlight lingering on the giants of the Oberland; heard the echoes from the cow-horns in the Lauterbrunnen valley and the avalanches rattling off the Jungfrau; and crossed the Gemmi into the Valais.
THE DEVIL OF NOTRE DAME.
I was bound for the valley of Saas, and my work took me high up the Alps on either side; far beyond the limit of trees and the tracks of tourists. The view from the slopes of the Weissmies, on the eastern side of the valley, 5000 or 6000 feet above the village of Saas, is perhaps the finest of its kind in the Alps. The full height of the three-peaked Mischabel (the highest mountain in Switzerland) is seen at one glance; 11,000 feet of dense forests, green alps, rocky pinnacles, and glittering glaciers. The peaks seemed to me then to be hopelessly inaccessible from this direction.
I next descended the valley to the village of Stalden, and went up the Visp Thal to Zermatt, and stopped there several days. Numerous traces of the formidable earthquake-shocks of five years before still remained; particularly at St. Nicholas, where the inhabitants had been terrified beyond measure at the destruction of their churches and houses. At this place, as well as at Visp, a large part of the population was obliged to live under canvas for several months. It is remarkable that there was hardly a life lost
