distortion is there; it is absolutely indelible; it has become part of the tree's nature.… Suppose, however, that you take a lump of gold, melt it, and let it cool.… No one can tell by examining a piece of gold how often it has been melted and cooled in geologic ages, or even in the last year by the hand of man. Any one who cuts down an oak can tell by the rings in its trunk how many times winter has frozen it into widowhood, and how many times summer has warmed it into life. A living being must always contain within itself the history, not merely of its own existence, but of all its ancestors."
Every painter can tell us how each added line deflects his picture in a certain sense. Whatever lines follow must be built on those first laid down. Every author who starts to rewrite a piece of work knows how impossible it becomes to use any of the first- written pages again. The new beginning has already excluded the possibility of those earlier phrases and transitions, while it has at the same time created the possibility of an indefinite set of new ones, no one of which, however, is completely determined in advance. Just so the social surroundings of the past and present hour exclude the possibility of accepting certain contributions from individuals; but they do not positively define what contributions shall be accepted, for in themselves they are powerless to fix what the nature of the individual offerings shall be.[1]
- ↑ Mr. Grant Allen himself, in an article from which I shall presently quote, admits that a set of people who, if they had been exposed ages ago to the geographical agencies of Timbuctoo, would have developed into negroes might now, after a protracted exposure to the conditions of Hamburg, never become negroes if transplanted to Timbuctoo.
