THE SONG OF THE LARK
up, as a race. I guess civilization proper began when men mastered metals."
Ray was not vain about his bookish phrases. He did not use them to show off, but because they seemed to him more adequate than colloquial speech. He felt strongly about these things, and groped for words, as he said, "to express himself." He had the lamentable American belief that "expression" is obligatory. He still carried in his trunk, among the unrelated possessions of a railroad man, a note book on the title-page of which was written "Impressions on First Viewing the Grand Canyon, Ray H. Kennedy." The pages of that book were like a battlefield; the laboring author had fallen back from metaphor after metaphor, abandoned position after position. He would have admitted that the art of forging metals was nothing to this treacherous business of recording impressions, in which the material you were so full of vanished mysteriously under your striving hand. "Escaping steam!" he had said to himself, the last time he tried to read that notebook.
Thea did n't mind Ray's travel-lecture expressions. She dodged them, unconsciously, as she did her father's professional palaver. The light in Ray's pale-blue eyes and the feeling in his voice more than made up for the stiffness of his language.
"Were the Cliff-Dwellers really clever with their hands, Ray, or do you always have to make allowance and say, 'That was pretty good for an Indian'?" she asked.
Ray went down into the car to give some instructions to Giddy. "Well," he said when he returned, "about the aborigines: once or twice I 've been with some fellows who were cracking burial mounds. Always felt a little ashamed of it, but we did pull out some remarkable things. We got some pottery out whole; seemed pretty fine to me. I guess their women were their artists. We found lots of old shoes and sandals made out of yucca fiber, neat and strong; and feather blankets, too."
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