THE SONG OF THE LARK
world to play piano. That you must bring into the world yourself."
This comforted Thea temporarily, for it seemed to give her a chance. But a great deal of the time she was comfortless. Her letters to Dr. Archie were brief and business-like. She was not apt to chatter much, even in the stimulating company of people she liked, and to chatter on paper was simply impossible for her. If she tried to write him anything definite about her work, she immediately scratched it out as being only partially true, or not true at all. Nothing that she could say about her studies seemed unqualifiedly true, once she put it down on paper.
Late one afternoon, when she was thoroughly tired and wanted to struggle on into the dusk, Harsanyi, tired too, threw up his hands and laughed at her. "Not to-day, Miss Kronborg. That sonata will keep; it won't run away. Even if you and I should not waken up to-morrow, it will be there."
Thea turned to him fiercely. "No, it is n't here unless I have it—not for me," she cried passionately. "Only what I hold in my two hands is there for me!"
Harsanyi made no reply. He took a deep breath and sat down again. "The second movement now, quietly, with the shoulders relaxed."
There were hours, too, of great exaltation; when she was at her best and became a part of what she was doing and ceased to exist in any other sense. There were other times when she was so shattered by ideas that she could do nothing worth while; when they trampled over her like an army and she felt as if she were bleeding to death under them. She sometimes came home from a late lesson so exhausted that she could eat no supper. If she tried to eat, she was ill afterward. She used to throw herself upon the bed and lie there in the dark, not thinking, not feeling, but evaporating. That same night, perhaps, she would waken up rested and calm, and as she went over her work in her mind,
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