THE SONG OF THE LARK
scratched on the floor with his bare foot. They were listening to a Mexican part-song; the tenor, then the soprano, then both together; the barytone joins them, rages, is extinguished; the tenor expires in sobs, and the soprano finishes alone. When the soprano's last note died away, Fritz nodded to his wife. "Ja," he said; "schön."
There was silence for a few moments. Then the guitar sounded fiercely, and several male voices began the sextette from "Lucia." Johnny's reedy tenor they knew well, and the bricklayer's big, opaque barytone; the others might be anybody over there—just Mexican voices. Then at the appointed, at the acute, moment, the soprano voice, like a fountain jet, shot up into the light. "Horch! Horch!" the old people whispered, both at once. How it leaped from among those dusky male voices! How it played in and about and around and over them, like a goldfish darting among creek minnows, like a yellow butterfly soaring above a swarm of dark ones. "Ah," said Mrs. Kohler softly, "the dear man; if he could hear her now!"
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