THE SONG OF THE LARK
suggest that you conceal it a little more effectually. That is—necessary, Miss Kronborg," he added, looking back over the shoulder of the overcoat he was putting on.
He went out to lunch and Thea thought the subject closed. But late in the afternoon, when he was taking his dyspepsia tablet and a glass of water between lessons, he looked up and said in a voice ironically coaxing:—
"Miss Kronborg, I wish you would tell me why you hate Jessie."
Taken by surprise Thea put down the score she was reading and answered before she knew what she was saying, "I hate her for the sake of what I used to think a singer might be."
Bowers balanced the tablet on the end of his long forefinger and whistled softly. "And how did you form your conception of what a singer ought to be?" he asked.
"I don't know." Thea flushed and spoke under her breath; "but I suppose I got most of it from Harsanyi."
Bowers made no comment upon this reply, but opened the door for the next pupil, who was waiting in the reception-room.
It was dark when Thea left the studio that night. She knew she had offended Bowers. Somehow she had hurt herself, too. She felt unequal to the boarding-house table, the sneaking divinity student who sat next her and had tried to kiss her on the stairs last night. She went over to the waterside of Michigan Avenue and walked along beside the lake. It was a clear, frosty winter night. The great empty space over the water was restful and spoke of freedom. If she had any money at all, she would go away. The stars glittered over the wide black water. She looked up at them wearily and shook her head. She believed that what she felt was despair, but it was only one of the forms of hope. She felt, indeed, as if she were bidding the stars good-bye; but she was renewing a promise. Though their challenge is universal and eternal, the stars
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