KRONBORG
During his talk with her, the doctor gathered that what Mrs. Kronborg really wanted was to see her daughter Thea. Lying there day after day, she wanted it calmly and continuously. He told her that, since she felt so, he thought they might ask Thea to come home.
"I 've thought a good deal about it," said Mrs. Kronborg slowly. "I hate to interrupt her, now that she 's begun to get advancement. I expect she 's seen some pretty hard times, though she was never one to complain. Perhaps she 'd feel that she would like to come. It would be hard, losing both of us while she 's off there."
When Dr. Archie got back to Denver he wrote a long letter to Thea, explaining her mother's condition and how much she wished to see her, and asking Thea to come, if only for a few weeks. Thea had repaid the money she had borrowed from him, and he assured her that if she happened to be short of funds for the journey, she had only to cable him.
A month later he got a frantic sort of reply from Thea. Complications in the opera at Dresden had given her an unhoped-for opportunity to go on in a big part. Before this letter reached the doctor, she would have made her début as Elizabeth, in "Tannhauser." She wanted to go to her mother more than she wanted anything else in the world, but, unless she failed,—which she would not,—she absolutely could not leave Dresden for six months. It was not that she chose to stay; she had to stay—or lose everything. The next few months would put her five years ahead, or would put her back so far that it would be of no use to struggle further. As soon as she was free, she would go to Moonstone and take her mother back to Germany with her. Her mother, she was sure, could live for years yet, and she would like German people and German ways, and could be hearing music all the time. Thea said she was writing her mother and begging her to help her one last time; to get strength and to wait for her six months, and
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