THE SONG OF THE LARK
Though barely thirty, he had followed half a dozen professions, and had once been a violinist in the orchestra of the Andrews Opera Company, then well known in little towns throughout Colorado and Nebraska.
By one amazing indiscretion Tillie very nearly lost her hold upon the Moonstone Drama Club. The club had decided to put on "The Drummer Boy of Shiloh," a very ambitious undertaking because of the many supers needed and the scenic difficulties of the act which took place in Andersonville Prison. The members of the club consulted together in Tillie's absence as to who should play the part of the drummer boy. It must be taken by a very young person, and village boys of that age are self-conscious and are not apt at memorizing. The part was a long one, and clearly it must be given to a girl. Some members of the club suggested Thea Kronborg, others advocated Lily Fisher. Lily's partisans urged that she was much prettier than Thea, and had a much "sweeter disposition." Nobody denied these facts. But there was nothing in the least boyish about Lily, and she sang all songs and played all parts alike. Lily's simper was popular, but it seemed not quite the right thing for the heroic drummer boy.
Upping, the trainer, talked to one and another: "Lily's all right for girl parts," he insisted, "but you 've got to get a girl with some ginger in her for this. Thea's got the voice, too. When she sings, 'Just Before the Battle, Mother,' she 'll bring down the house."
When all the members of the club had been privately consulted, they announced their decision to Tillie at the first regular meeting that was called to cast the parts. They expected Tillie to be overcome with joy, but, on the contrary, she seemed embarrassed. "I 'm afraid Thea has n't got time for that," she said jerkily. "She is always so busy with her music. Guess you 'll have to get somebody else."
The club lifted its eyebrows. Several of Lily Fisher's
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