Soldiers' Chorus from Faust looking wildly behind him now and then to see whether some of his teachers were not there to writhe under his light-heartedness. As it was now late in the afternoon and Paul was on duty that evening as usher at Carnegie Hall, he decided that he would not go home to supper. When he reached the concert hall the doors were not yet open and, as it was chilly outside, he decided to go up into the picture gallery—always deserted at this hour—where there were some of Raffelli's gay studies of Paris streets and an airy blue Venetian scene or two that always exhilarated him. He was delighted to find no one in the gallery but the old guard, who sat in one corner, a newspaper on his knee, a black patch over one eye and the other closed. Paul possessed himself of the place and walked confidently up and down, whistling under his breath. After a while he sat down before a blue Rico and lost himself. When he bethought him to look at his watch, it was after seven o'clock, and he rose with a start and ran down-stairs, making a face at Augustus, peering out from the cast-room, and an evil gesture at the Venus of Milo as he passed her on the stairway.
When Paul reached the ushers' dressing-room
