ward, the God of jealousy and the Spirit of freedom met together; earth shrank at the meeting of them.
Forth from the dead dust rattling bones to bones
Came; shaking, convulsed, the shivering clay breathes;
And all flesh naked stands; Fathers and Friends;
Mothers and Infants; Kings and Warriors;
The Grave shrieks with delight, and shakes
Her hollow womb, and clasps the solid stem;
Her bosom swells with wild desire;
And milk and blood and glandous wine
In rivers rush and shout and dance
On mountain, dale and plain.
The Song of Los is ended.
Urizen wept."
So much for the text; which has throughout a contagious power of excitement in the musical passion of its speech. For these books, above all, it is impossible to read continuously and not imbibe a certain half-nervous enjoyment from their long cadences and tempestuous undulations of melody. Such passion went to the writing of them that some savour of that strong emotion infects us also in reading pages which seem still hot from the violent touch of the poet. The design of Har and Heva flying from their lustful and warlike brethren across green waste land before a late and thunder-coloured sky, he grasping her with convulsive fear, she looking back as she runs with lifted arm and flame-like hair and fiery flow of raiment; and that succeeding where they reappear fallen to mere king and queen of the vegetable world, themselves half things of vegetable life; are both noble if somewhat vehement and reckless. In this latter, the deep green-blue heaven full of stars like flowers is set with sweet and deep effect against the darkening green of the vast lily-leaves supporting the fiery pallor of those
