elements. Similarly there would have been no doubt about them in any old Christian illumination. On this point he is at one with all the mystics and with all the saints.
This explanation is really essential to the understanding of Blake, because to the modern mind it is so easy to understand him in the opposite sense. In the ordinary modern meaning Blake's symbols are not symbols at all. They are not allegories. An allegory nowadays means taking something that does not exist as a symbol of something that does exist. We believe, at least most of us do, that sin does exist. We believe (on highly insufficient grounds) that a dragon does not exist. So we make the unreal dragon an allegory of the real sin. But that is not what Blake meant when he made the lamb the symbol of innocence. He meant that there really is behind the universe an eternal image called the Lamb, of which all living lambs are merely the copies or the approximation. He held that eternal innocence to be an actual and even an awful thing. He would not have seen anything comic, any more than the Christian Evangelist saw anything comic, in
