among paving-stones. But both are equally final and fixed. If one picture is incurably bad, the other picture is incurably good. Courage (which is, with kindness, the only fundamental virtue in man), is present and prodigious in both. No coward could have drawn such pictures.
The chief movement of Blake either in art or literature was the first publication of the batch of his own allegorical works. "The Gates of Paradise" came first, and was followed by "Urizen" and the "Book of Thel." With these he introduced his own mode of engraving and began his own style of decorative illustration. That style was steeped in the Blake and Flaxman feeling for the hard line and the harsh and heroic treatment. There were, of course, many other personalities besides that of Flaxman which were destined to influence the art of William Blake. Among others, the personality of William Blake influences it not inconsiderably. But no influence ever disturbed the love of the absolute academic line. If the reader will look at any of the designs of Blake, many of which are reproduced in this book, he will see the main fact which I mention
