artistic and academic critic half way, and might well have been welcomed, so to speak, with an embrace of reconciliation. This is indeed the reason why most lovers of English letters have at least kept alive a purely literary tradition of Cobbett. But, as it happened, I added some words which I will also take the liberty of mentioning, because they exactly illustrate the stages of this re-emergence of the great writer's fame from the field of literature to the field of life. 'There is a serious danger that this charm in English literature may be lost. The comparative absence of abuse in social and senatorial life may take away one of the beauties of our beautiful and historic speech. Words like "scamp" and "scoundrel," which have the unique strength of English in them, are likely to grow unfamiliar through lack of use, though certainly not through lack of opportunity for use. It is indeed strange that when public life presents so wide and promising a field for the use of these terms, they should be suffered to drop into desuetude. It seems singular that when the careers of our public men,
