The other smiled sadly, but shook his head.
It was the afternoon following the events related in the previous chapter. The two speakers who were in such serious conversation stood in a shabby studio in Fitzroy Square gravely contemplating one another.
John Egerton, the owner of the place was a successful artist, whose works sold well, whose black and white illustrations were much sought after by magazine proprietors, and whose Academy pictures had brought him some amount of notoriety. His success was well deserved, for, after a rather wild student life on the Continent, he was now exceedingly industrious. Art was his hobby, and he had but little pleasure outside the walls of his studio. Though discarding a collar, and attired negligently in a paint-besmirched coat very much the worse for wear, a pair of trousers much bespattered, and feet thrust into slippers, yet his face spoke of genius and indomitable perseverance, with its deep gray eyes, firm, yet tender mouth, and general expression of power and independence.
His visitor, Hugh Trethowen, was of a different type—handsome, and perhaps a trifle more refined. A splendid specimen of manhood, with his fine height and strongly-built frame, well-cut Saxon features, and bright coloring, with laughing blue eyes, the earnest depths of which were rendered all the more apparent by the thoughtful, preoccupied look which his countenance wore.
A young girl, undeniably beautiful, with a good complexion, stood watching them. She was dressed in a bright but becoming costume of the harem, and had, until the arrival of Trethowen, been posing to the artist. Upon the easel was a full length canvas almost complete—a marvellous likeness, representing her laughing face, with its clear brown eyes, and her bare
