first book comprises the exploits of the Anglo-Saxons, from the period of their arrival till the consolidation of the empire under the monarchy of Egbert. Herein too is separately given the history of those powerful but rival kingdoms, which alternately subjugated, or bowed down to the dominion of, each other, and deluged the country with blood, as the love of conquest or the lust of ambition prompted. The second portion of the work continues the regal series till the mighty revolution of the Norman conquest. The three remaining books are occupied with the reigns of William and his sons, including a very interesting account of the first Crusade. His Modern History carries the narrative into the turbulent reign of Stephen.
Such is the period embraced: and to show these times, "their form and pressure," Malmesbury collected every thing within his reach. His materials, as he often feelingly laments, were scanty and confined, more especially in the earlier annals. The Chronicles of that era afforded him but little, yet of that little he has made the most, through the diligence of his research and the soundness of his judgment. His discrimination in selecting, and his skill in arranging, are equally conspicuous. His inexhaustible patience, his learning, his desire to perpetuate every tiling interesting or useful, are at all times evident. Sensibly alive to the deficiencies of the historians who preceded him, he constantly endeavours to give a clear and connected relation of every event. Indeed, nothing escaped his observation which could tend to elucidate the manners of the times in which he wrote. History was the darling pursuit of Malmesbury, and more especially biographical history, as being, perhaps, the most pleasing mode of conveying information. He knew the prevailing passion of mankind for anecdote, and was a skilful master in blending amusement with instruction. Few historians ever possessed such power of keeping alive the reader's attention; few so ably managed their materials, or scattered so many flowers by the way. Of his apt delineation of character, and happy mode of seizing the most prominent features of his personages, it is difiicult to speak in terms of adequate commendation. He does not weary with a tedious detail, "line upon line," nor does he complete his
