Page:Wilson - Merton of the Movies (1922).djvu/123

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UNDER THE GLASS TOPS
109

tent Tom-show, me doing Little Eva, and between acts I had to put on pants and come out and do a smoking song, all about a kid learning to smoke his first cigar and not doin' well with it, see? But they had to cut it out. Gosh, what us artists suffer at times! Pa had me try it a couple of years later when I was doin' Louise the blind girl in the Two Orphans, playin' thirty cents top. It was a good song, all right, with lots of funny gags. I'd 'a' been the laughing hit of the bill if I could 'a' learned not to swallow. We had to cut it out again after the second night. Talk about entering into your part. Me? I was too good."

If the distant camera glanced this way it caught merely the persistent efforts of a beautiful débutante who had not yet felt the blight of Broadway to melt the cynicism of one who suffered it more and more acutely each moment. Her hand fluttered on his sleeve and her left eye continuously beguiled him from under the overhanging curl. As often as he thought it desirable he put the bored glance upon her, though mostly he stared in dejection at the coffee cup or the empty wine glass. He was sorry that she had had that trouble with the cigar, but one who as Little Eva or poor persecuted Louise, the blind girl, had to do a song and dance between the acts must surely come from a low plane of art. He was relieved when, at megaphoned directions, an elderly fop came to whirl her off in the dance. Her last speech was: "That poor Henshaw—the gelatin master'll have megaphone-lip by to-night."

He was left alone at his table. He wondered if they might want a close-up of him this way, uncompanioned, jaded, tired of it all, as if he would be saying: "There's always the river!" But nothing of this sort happened. There was more dancing, more close-ups of Muriel Mercer being stricken with her vision of tenement misery under the foul glare of a middle-aged roué inflamed with wine. And there was a shot of Muriel perceiving at last the blight of Broadway and going to a table at which sat a pale, noble-looking young man with a high forehead, who presently led her out into the night to