street until a whistle sounded at the farther end, then all was silence while the voice of Henshaw came through the megaphone.
It appeared that long shots of the street were Henshaw's first need. Up and down it Merton Gill strolled in a negligent manner, stopping perhaps to haggle with the vendor who sold sweetmeats from a tray, or to chat with a tribal brother fresh from the sandy wastes, or to purchase a glass of milk from the man with the goats. He secured a rose from the flower seller, and had the inspiration to toss it to one of the discreet balconies above him, but as he stepped back to do this he was stopped by the watchful assistant director who stood just inside a doorway. "Hey, Bill, none of that! Keep your head down, and pay no attention to the dames. It ain't done."
He strolled on with the rose in his hand. Later, and much nearer the end of the street where the cameras were, he saw the sheik of noble mien halt the flower seller, haggle for another rose, place this daintily behind his left ear and stalk on, his musket held over one shoulder, his other hand on a belted pistol. Merton disposed of his rose in the same manner. He admired the sheik for his stature, his majestic carriage, his dark, handsome, yet sinister face with its brooding eyes. He thought this man, at least, would be a true Arab, some real son of the desert who had wandered afar. His manner was so much more authentic than that of the extra people all about.
A whistle blew and the street action was suspended. There was a long wait while cameras were moved up and groups formed under the direction of Henshaw and his assistant. A band of Bedouins were now to worship in the porch of a mosque. Merton Gill was among these. The assistant director initiated them briefly into Moslem rites. Upon prayer rugs they bowed their foreheads to earth in the direction of Mecca.
"What's the idea of this here?" demanded Merton Gill's neighbour in aggrieved tones.
